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The exhibition at 242 gallery on Cambridge Heath road starts this Friday. Opening times are 12 – 6pm, Weds – Sun. The last day will be Sunday 21st Feb. I will be invigilating at the gallery on Saturdays and Sundays, so please pop along and say “hi” Closest tube is Bethnal Green. Closest overground is opposite the gallery “Cambridge Heath”. |
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Like other objects flowers have personality and should be considered valuable in their own right, even without being arranged.
I took apart a pair of old-style boxing gloves, drawing them in stages of decomposition.
I’m interested in how a physical world produces things that we don’t think of as physical like freewill, consciousness and imagination. Explanations like chaos theory can show how incredibly complex things can come from something simple.
I think we use ideas like freewill and consciousness as a convenient label for what is too difficult for us to understand.
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These drawings will form part of the Object expressionism exhibition at 242 gallery.
The football boot and jab pad drawings show the disintegration of those objects, the rubber glove drawings show different views of the gloves. |
I often like drawing what are thought of as mundane objects.
This USB computer headset was sitting on the living room floor and seemed like a good subject for drawings. I like to try push myself to draw whatever is to hand.
I tend to draw objects over and over again moving them so that I view them from multiple angles. The basic idea is to build up as complete an image of the objects as possible, much like how orthographic projection works in technical designs. I also try to make all of my drawings as close to life-size as possible.
You can see more drawings of the headset here >>
I created a piece of work which I’ve submitted for potential inclusion in the “Drink and dial” exhibition at the Wilson William’s gallery. I should learn in February if they want to include it in the show.
The theme of the show is “Drink and dial” the phenomena whereby, when drunk, people make telephone calls they later regret.
Each drawing is a life-size study of a skeleton I keep in my flat, drawn in black oil pastel and painted with kids poster paint, then sealed with PVA.
I’ve been experimenting with mounting drawings on cardbaord, which I’ve done with this work and with pieces like “Deconstruction of a jab pad”.
